Asylum seekers and immigrants are big part of the Reformation’s 500th anniversary in Germany.
As a young man, Martin Luther had a persistent, obsessive fear that he was cast out from God’s grace and that it was his own fault. He saw himself as a figurative refugee from the love of God. “My sin lay heavy night and day,” he wrote.
Later, he would lament, “To be convinced in our hearts that we have forgiveness of sins and peace with God by grace alone is the hardest thing.”
Then, after nailing his 95 Theses to the door of All Saints Church in Wittenberg on October 31, 1517, Luther became an actual refugee from his homeland. Roman Catholic leaders were seeking his life, and he was forced to flee and hide.
Five hundred years later, the Reformer and German icon is strikingly relevant for the issues facing Germany today. Millions of Germans feel attached to Luther and, to many of them, his example urges their country to welcome refugees.
“Luther was so human,” said Markus Ziener, a veteran journalist with the influential German newspaper Handelsblatt who now teaches at a university in Berlin. “Because he struggled, the rest of us who struggle can identify with him and find him very approachable,” Ziener said.
Luther’s quest for the grace of God led him to study theology, the Bible, and the writings of Augustine, and he met a merciful Christ he couldn’t wait to tell others about.
So when Luther wrote his 95 Theses, he was driven by a few simple, democratic ideas—for example, that the grace of God is available to every believer and that everyone is equally free to access that grace through faith. Because they were already assured of God’s love through his unmerited grace, Christians were then to help others in need. According to Luther, “God does ...
There are real issues that deserve full coverage, not another fake story about the end of the world.
The need for good journalism has never been more pressing. Time and time again I have written about fake news. And over and over we find more of it, and more people believing it.
Rohingya Muslims are fleeing Myanmar for their lives. Puerto Rico is picking up the pieces after a devastating hurricane. One of the most divisive pieces of legislation in American history is being debated. North Korea and the U.S. are dancing around rhetoric last heard in the Cold War. It appears that no journalist is facing a shortage of issues and controversies worthy of their time—real issues that deserve full coverage and our attention.
In light of all of these significant and worthy issues that should deserve coverage, my question to the media is, why instead have you chosen to dedicate significant time and resources to the ravings of a poorly-credentialed conspiracy theorist like David Meade?
The “expert” of a profession that has been called ‘Christian Numerology,’ Meade has been the subject of article after article, bolstering his claims and linking his views to mainstream Christian theology. While some may see the unfounded discoveries of men like Meade as urgent news, I feel compelled to point something out: there is a lot going on in the world right now.
As I said in the Washington Post, Meade is a “made-up expert in a made-up field talking about a made-up event.” So, why is he in so many news reports today?
In giving people like Meade a platform, media outlets have unwittingly legitimized his illegitimate findings. They’ve given (yet another) ill-informed Christian a megaphone by which he (and others before him) can make Christians look foolish and distract us from ...
Hallie Meyers-Shyer’s directorial debut reveals just how dissatisfying good fortune can be.
As far as I’m concerned, the phenomenon of “hate-watching” was invented for women viewing romantic comedies. I dislike the trappings of romance and the pitiful reduction of characters to clichés that define most rom-coms—yet I still watch at least a few every year. I do so in part because a good one can feel like comfort food: It’s warm and soothes my secretly mushy heart.
Nancy Meyers’s rom-coms, including It’s Complicated and Something’s Gotta Give, are good examples of the genre’s potential. Now, though, her daughter has also gotten into the rom-com business: Home Again, which came out September 8, is written and directed by Hallie Meyers-Shyer. It is her first feature film; Nancy Meyers also co-produced it.
Home Again is about how sometimes we have to re-find home. I love that idea. In my 30s, I’ve already spent some quality time searching for, clinging to, creating, and recreating “home.” Unfortunately, though, the movie implies that home is about the people with whom we make it—a concept often taken for fact in this genre about “soulmates” and finding “The One.”
Alice (Reese Witherspoon), the film’s protagonist, is a 40-year-old woman starting her life over after a divorce. She has two daughters, a floundering career, and a big house. She has recently relocated her family back to Los Angeles, so it’s natural that Alice would lack a community or a sense of home that is more than a place. Yet she happens to own a place that feels like a resort.
Because she’s floundering—but still has the room to “be a patron of the arts”—she allows three young men who are attempting to make ...